646f9e108c Jimmy's rare baseball card is robbed. Since it's his only hope to pay for his daughter's upcoming wedding, he recruits his cop partner Paul to track down the robber, a memorabilia-obsessed gangster.
After a clumsy operation trying to capture a drug dealer, the N.Y.P.D Detectives Jimmy Monroe and Paul Hodges are suspended for one month by their Captain Romans. Jimmy decides to sell his rare baseball card to pay for his daughter's expensive wedding while his jealous partner believes that his wife is cheating on him with their next-door neighbor. When Jimmy sells his card to a memorabilia store, the place is burgled by two small-time thieves and the detective loses his card. They track down the thieves.
Tracy Morgan uses an anti-gay slur "fag" to get a laugh. It's not funny. How would he like it if I said, "I'm not gonna shoot you, n-word." Did Tracy Morgan utter this line with joy in his heart? I wonder what would allow an actor to be caught on film saying such an anti-gay slur and think it's okay by then subsequently stating the movie it's from. <br/><br/>And Warner Brothers apparently thought this was a good idea to air this portion of the movie in their television advertisements. And exactly WHAT was going on in THEIR heads? Yeah. BOYCOTT this movie please.<br/><br/>Tracy Morgan uses an anti-gay slur "fag" to get a laugh. It's not funny. How would he like it if I said, "I'm not gonna shoot you, n-word." Did Tracy Morgan utter this line with joy in his heart? I wonder what would allow an actor to be caught on film saying such an anti-gay slur and think it's okay by then subsequently stating the movie it's from.<br/><br/>And Warner Brothers apparently thought this was a good idea to air this portion of the movie in their television advertisements. And exactly WHAT was going on in THEIR heads? Yeah. BOYCOTT this movie please. <br/><br/>Tracy Morgan uses an anti-gay slur "fag" to get a laugh. It's not funny. How would he like it if I said, "I'm not gonna shoot you, n-word." Did Tracy Morgan utter this line with joy in his heart? I wonder what would allow an actor to be caught on film saying such an anti-gay slur and think it's okay by then subsequently stating the movie it's from.<br/><br/>And Warner Brothers apparently thought this was a good idea to air this portion of the movie in their television advertisements. And exactly WHAT was going on in THEIR heads? Yeah. BOYCOTT this movie please.
The advanced screening of "Cop Out" I attended probably couldn't have played to a more appreciative audience. It was a packed house, and everyone had come to laugh—even when Bruce Willis and Tracey Morgan weren't saying or doing anything particularly funny. Still, it was hard not to crack a smile when the audience's uproarious response overwrote entire stanzas of dialogue.<br/><br/>I make no apologies for having enjoyed myself watching Kevin Smith's forgettable new comedy, but take heed, I saw it under probably the best possible circumstance.<br/><br/>And yet, it's not a matter of sheer infectious giggles. The following night, I listened to idiots yuk their way through "Hot Tub Time Machine," which served to only compound my bitter contempt for its lethargic joke-writing. And if "Hot Tub" was lazy, then my experience with "Cop Out" was laissez-faire, in which I found myself perfectly content to let the goofy plot unravel, and even between the lines, Willis and Morgan seemed to be having a genuinely good time.<br/><br/>Forimportantit is, context is rarely credited in opinion. For example, I had a great time watching junk like, "Wolverine" and "Fame" because I saw them with friends at the drive-in. I hated "Rocky Horror Picture Show" because I watched it alone in my room, and I enjoyed "Cop Out" because there was a potent positive energy in that theater. I'd probably agree with Smith's harshest critics on a point-by-point basis of why it isn't a great film, but I can't deny that for me, the experience remains a net positive memory.<br/><br/>The chorus goes something like, 'When the plot isn't clichéd, it's arbitrary; the humor is reliably sophomoric;a director, Smith is an absentee.' Check, check, and definitely check. Not only is "Cop Out" Smith's first collaboration with another writer, but (probablya defense mechanism following the unsatisfactory box office performance of "Zack and Miri Make a Porno") he seems to remove himself from the equation altogether. The film appropriately adapts a visual style closer to that of a police drama than to "Clerks," and the implication seems to be that if "Cop Out" is a commercial failure, at least no one can blame it on Smith.<br/><br/>The problem, though, is that he recedes entirely into the background, and while many of the performances are amusing, they generally rely on tried and true shtick that Smith's direction seems to have little to do with. Perhaps his transparency accounts for the film feeling sometimes aimless, but he gets the job done, and not especially poorly. He does have a somewhat lame villain on his hands, whose scenes feel like dead weight in a film that has no business exceeding ninety minutes, and a final shoot-out that devolves into a series of unearned violent gags that come completely out of left field.<br/><br/>But with exception to the above gripes, "Cop Out" is a good-natured diversion undeserving of the incredible rancor with which it's been met. My review is somewhat hypocritical by design in that I find myself coming to its defense though my thesis boils down to little more than, "It's better than bad."<br/><br/>"Cop Out," unlike truly, aggressively unfunny comedies I hear praise for each year (see: "Hot Tub Time Machine"–or actually, don't see it) is an absent minded piece of escapism that frequently isn't laugh inducing, but does have a certain amusing air that makes it an easy watch.<br/><br/>I can't speak to how "Cop Out" will play alone in your room when it hits DVD; an audience like mine is tough to come by. Not just any crowd can make mediocrity shine.
A movie that makes little sense, is dumb when it's not being stupid and yet is still at times laugh-out-loud funny.
Cop Out is a comedy film written by screenwriting brothers, Mark and Robb Cullen. The screenplay started outa spec script by Mark and Robb Cullen, so Kevin Smith's writing talent was not needed. He did not do a re-write of the script, despite some reports stating so. In his stand-up TV special "Too Fat for 40" he stated that he was essentially taking a break from writinghe tried to figure out why some of his more recent movies (namely "Zack and Miri Make a Porno") weren't doingwell. He realized his life circumstances had changed from the days of "Clerks" and "Mallrats" and that to try to write a movie like that at this stage of his life wouldn't be honest. He liked the script for "A Couple of Dicks" (the original and working title of "Cop Out") and loved growing up watching buddy cop movies with his dad. <a href="/name/nm0005134/">Jason Lee</a>, who frequently works with Smith, appears in a brief (two scene) rolethe step-father of Jimmy Monroe (<a href="/name/nm0000246/">Bruce Willis</a>)'s daughter. <a href="/name/nm0005405/">Seann William Scott</a>, <a href="/name/nm0605079/">Tracy Morgan</a>, and <a href="/name/nm0640756/">Ernest O'Donnell</a> appear in this filmwell.
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